Review comments

“Careful and concise poems, like glimpsed scenes and small, intense dramas, full of knowing detail and telling lines. Tender but shrewd.” 
Simon Armitage

“Paul McLoughlin’s poetry has a rare clarity and exactitude. He writes about private history and its collision with the world of news; of a past which is alive in the present. His voice is poised, and his delight in language shines through the poems.”
Helen Dunmore

“McLoughlin means what he says, knows what to leave out as well as what to put in, and makes his level-headed bewilderment resound like discovery.”
Herbert Lomas, Ambit

“He is unflashy and scrupulous and has a nice gentle wit.”
Michael Laskey

“Paul McLoughlin exhibits an Irish exuberance for the absurd and the askew, illuminated by his unique and delightfully understated tone.”
Anne-Marie Fyfe

“McLoughlin combines a knack for spot-on observation with a willingness to let his imagination wander (sometimes down very strange avenues) and a determination to let readers make their own judgements.”
Matt Merrit, Sphinx

“A sensitive and unsentimental imaginative reckoning of ‘felt life’, understatement and a droll self-effacement are hallmarks of this excellent chap book.”
Peter Carpenter, Tears in the Fence

“The final lines of ‘Whatever Mick Wants’ not only nicely characterise the casual-seeming skills of many of the finest jazz musicians, but touch what McLoughlin’s art does: ‘Your tenor sax speaks jazz with the same / lazy filling out of space / you lead everyone to think you’ll leave unfilled.’ These poems achieve their delicately judged effects with similarly unforced-seeming skill.”
Hugh Underhill, Critical Survey

A genuine talent for spotting bright details against dark backgrounds.
Andrew SclaterMagma